Sri Ragavendra Aaradhana on September 20th - 2:00PM - 5:00PM * Annamacharya Day on September 28th - 12:30PM - 5:00PM

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ShashthI

3

AshtamI

4

Navami

5

6

Ekadasi

 7

8

Onam

9 10

Purnima

11

Mahalaya Paksham begins

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15

16

Shashthi

17 18

Ashtami

19

Navami

20

Sr Ragavendra Aarandhana

21

22

 Ekadasi

23

24

Shivratri

25

Mahalaya

Amavasya

26

Navarathri

27

28

Annamacharya Day

 

29

Chathurthi

30

     

Annamacharya Day

 

Austin Hindu Temple and Community Center is organizing Sankeertanacharya Annamacharya Day. The day long celebrations will be filled with Annamacharya Sankirtana Recital. The program will commence with a group rendition of the Sapthagiri Keerthanas followed by individual/group presentations.

The program committee invites you all to participate in the celebrations. If you are interested in either solo or group singing, please register your song and raga on or before August 27th, 2003. For details and registration contact one of the volunteers below.

Please mark your calendars and plan to attend.

Date : September 28th, 2003.
Time : 12:30PM - 5:00PM
Venue: UT Arts Auditorium, 2300 San Jacinto,  Austin, TX - 78712

Click here for driving directions from your destination Yahoo! Maps

Click here for Event guidelines and pre-registration

Sri Tallapaka Annamacharya (1408-1503) the mystic saint composer of the 15th century is the earliest known musician of South India to compose songs called sankIrtanas in praise of Lord Venkateswara, the deity of Seven Hills in Tirumala, India. Annamcharya is believed to be the incarnation of Lord Venkateswara's. nandaka (Sword). A rhyming couplet of poems called dwipada written by Tallapaka Chinnanna, grandson of Annamacharya, enabled us to learn about Annamacharya's life and works.

It is believed that in the 10th century a big famine broke out in Varanasi and scores of scholars migrated to southern part of India for earning their livelihoods. Some of them concentrated in a town called Nandavaram in Andhra Pradesh which was ruled by the then king Nanda. These immigrants were called Nandavarikas and Annamacharyas forefathers were the so called Nandavarikas and hence Annamacharya.

In the Dwipada the story of Annamacharya goes back three generations to his grandfather Narayanayya. As a boy Narayanayya was not keen in studies and it was customary in those times for the gurus to subject the students to different kinds of torturous methods to create concentration on studies. When nothing worked for the young boy, he decided that death would be better than the life filled with torture, humiliation, and shame. He heard about the venomous cobra in the snake hole at the temple of Chinthalamma the village Goddess. In an attempt to take his life away, Narayanayya put his hand in the snake hole at the temple. To his surprise, the village Goddess appeared before him and advised him not to take his life away since a boy with an element of Hari or Vishnu would be born in the third generation of Narayanayya.

Narayana Suri, the son of Narayanayya, did not have children for a long time. Narayana Suri and his wife Lakkamamba visited Tirumala Temple and while they were prostrating in front of the Holy Mast (Dhwaja Sthambha) a dazzling brilliance from the sword of Lord Venkateswara struck them like a lightening. Eventually a boy was born to them and they named him Annamayya. Annamayya became Annamacharya when the sage Ghana Vishnu at Tirumala converted him into a Vaishnavaite at the age of 8.

During his long and prolific career, Annamacharya composed and sang 32,000 Sankirtanas, 12 Satakas (sets of hundred verses), Ramayana in the form of dwipada, sankIrtana lakshaNam (Characteristics of sankIrtanas), SRngAra manjari, and vEnkaTAchala mahAtmamyam. His works were in Telugu, Sanskrit and a few other languages of India. Annamacharya wrote the sankIrtanas on palm leaves and later his son Tirumalacharya got them engraved on copper plates. But for reasons not known, most of these copper plates lay hidden in the Tirumala temple unnoticed for over 400 years. In 1922, twenty five hundred copper plates, comprising of about 14,000 sankIrtanas and a few other works, were found in a rock built cell, later named as Sankirtana Bhandagaram, opposite to the hunDI (donation box) .

 

Admission: Free

If you are interested in registering please contact the event coordinators at culturalinfo@austinhindutemple.org or call

Mythily Srinivasan 335-3409
Krishnamohan Gobburu 341-9753
Balaji Janakiraman 241-0434
Radharani Tupuri 301-7418

The photographs and other details are obtained from Sri Venkateswara Annamacharya Society of America (SVASA).  

sarvE janAh suKhinO Bavantu

Last Updated: 03/17/03